MAMO / 2021 - Joint exhibition of Anita Monori and Márton Strohner

MAMO / 2021 - Joint exhibition of Anita Monori and Márton Strohner
The exhibition will be opened by: Zoltán Lublóy - ceramic artist
The exhibition can be viewed: October 2021. November 26 12.

A selection of the first and second year works of the MMA scholarship of ceramic artist Anita Monori and the series A-LAMP and BASIC Vase 2021 by ceramic artist / designer Márton Strohner. The friendship of the two artists dates back more than 15 years, during which time their professional paths were formed in parallel several times, they both created their own brand and now decided to present their latest works in a joint exhibition.

-
Anita Monori presents some of her work from the first two years of her MMA Art Fellowship, the results of her experiments with digital technologies.
Anita is no stranger to combining modern technology with traditional methods, but so far he has only used them as tools.
The essence of the work created during the MMA scholarship is that digital technology not only creates but also influences objects. Following this line of reasoning, he uses the "traces" of the tool used to make the surface of the objects.
The technology used in the first year was CNC milling, so its rough steps make the already interesting design world even more exciting. During the second year, 3d printing was the technology of choice, the filling structures of which give the pattern of the subject group.
-
In recent years, the focus of Márton Strohner's creative work has been on the theme of lamps / light-objects. The lamp / light object as a category in the Home Decor has now grown into a very emphatic and defining element of contemporary design, including porcelain design. Their role is also very significant from a representational point of view. In the case of a mood lamp, the focus is not on 100% functionality (not primarily a light source) but rather on creating the mood. To create his modern-minimalist objects, he uses techniques based on classic European porcelain-making traditions, and he wants to match them to the demand and quality expectations of our time. In this way, it seeks to create a connection between the traditional and the modern, this logical system is based on respect for the classical craft tradition, reinterprets it, and thus ensures the survival of the tradition in the present and in the future.